#Empire of the petal throne dungeon how to

It introduces everyone-Referee and players alike to the setting of TГ©kumel without overloading them with its complexities and subtleties, pulling them both into the society rather than excluding them. If such games were about going off and being outsiders, Empire of the Petal Throne was about outsiders earning acceptance and recognition.ДЄs a campaign concept, вЂFresh Off the BoatвЂ™ is a clever set-up. This is very different to the simplistic campaign concepts of the period, which amounted to little more than going down a dungeon, killing the inhabitants and taking their treasure. Eventually, their efforts will be recognised and the patron clan will sponsor them for membership of a clan and so allow them to gain citizen and value in the Five Empires. At first they are confined to the Foreigners Quarter, but sooner or later, one of the great clans of TsolyГЎnu will seek to employ them, sending them off on deniable tasks, perhaps down into the Underworld of built over ruins located under the city.

The player characters are the equivalent of вЂcountry bumpkinsвЂ™, distant cousins who sail ashore at the great TsolyГЎni port city of JakГЎlla and set out to find a place in civilised society. The campaign concept is that of вЂFresh Off the BoatвЂ™. That said, the linguistic adjustment necessary to pronounce a great many of these terms has always proved to be off-putting for some gamers.

#Empire of the petal throne dungeon how to

It should be noted that although knowing how to speak TsolyГЎni has never been required to roleplay in the Empire of the Petal Throne, knowledge of some of the terms is useful. The designer created numerous languages for the world, TsolyГЎni, for example, being inspired by Urdu, Pushtu, and Mayan. Barker, a professor of Urdu and South Asian Studies and as much as it is a fantasy world, TГ©kumel is an exercise in linguistics.

In the five human empires-LivyГЎnu, MuвЂІugalavyГЎ, SalarvyГЎ, TsolyГЎnu, and YГЎn KГіr-there are ten gods and ten cohorts, divided equally between the TlomitlГЎnyal, the Gods of Stability, and the TlokiriqГЎluyal, the Gods of Change, their followers constantly jockeying for power and influence. Knowledge of their manufacture has long been lost, but Magic is known, its Sorcerer practitioners drawing upon dimensions beyond for its energies or Priestly practitioners petitioning the gods directly, for on TГ©kumel, the gods are very real and any disbelief in them is viewed as an aberration. Societies on TГ©kumel are culturally sophisticated if very tradition-bound, but technology has regressed to medieval levels, although relics of the past, notably the metallic, gem-shaped вЂEyesвЂ™, can be found and used, some emitting healing rays, others destructive or freezing beams. That setting is in the very far future on TГ©kumel, a metal poor planet which has been isolated in a pocket dimension for at least fifty thousand years.

Mechanically, it might have introduced the concept of critical hits, but it was the first roleplaying game to come with a setting, the first roleplaying game to come with its own languages, the first roleplaying game not to be based upon West Europe mythologies but rather Asia, Central America, and Egypt, and the first to come with a campaign concept. and the third fantasy roleplaying game to be published, yet it was the first in so many ways. First published in 1975, Empire of the Petal Throne was the second roleplaying game published by TSR, Inc.